<div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif">Dear All,</div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif"><br></div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif">In <a href="https://4sonline.org/news_manager.php?page=40816">this</a> Backchannels post, Merlyna Lim reflects on a whirlwind book tour that became an unexpected journey of “post-publication listening”—where dialogue with regional publics reanimated the book’s arguments and affirmed Southeast Asia as a microcosm of global digital politics.</div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif"> </div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif"><a href="https://4sonline.org/news_manager.php?page=40816">The field talks back: listening to Southeast Asia after the book</a></div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif"><br></div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif">Best regards</div><div style="font-family:"Google Sans",Roboto,RobotoDraft,Helvetica,Arial,sans-serif"><div dir="ltr" class="gmail_signature"><div dir="ltr"><div>Shashank</div><div><br></div><div>--</div><div><div><b>Shashank Deora</b><br></div><div><i>Coordinator, <a href="https://www.4sonline.org/backchannels.php" target="_blank">4S Backchannels</a></i></div><div><i>PhD Student</i></div><div><i>Centre for Technology Alternatives for Rural Areas</i></div><div><i>Indian Institute of Technology Bombay, Mumbai, India</i></div><div><a href="https://sites.google.com/view/shashankdeora" target="_blank"><i>https://sites.google.com/view/shashankdeora<br></i></a></div></div></div></div></div></div></div></div></div></div>